"Rather than performing within the space, I simply perform the space itself, treating it in the way that a painter might a canvas or as a musician may a room. Because it is an imaginary space, nested infinities are quite feasible. In virtual space, concepts of up, down, in, out, weight, gravity and time do not exist natively. Naturally, humans reference these concepts unconsciously when presented with a 'space' of any kind, so my work plays with these concepts, inverting, subverting, expanding and nesting them. As a result, the viewer is generally immersed within the work, is encouraged to navigate within it, and will find the most enjoyment from giving in to the strangeness of the space created. To help people enjoy the works, they all default to an automatically moving camera view enabling the user to be passively moved through the space/work. In these works, vision and sound occupy equal weight and are generally both subjected to the same spatial, temporal and tonal algorithms."

"...a life cycle of a community has three distinct phases - connection, collection, and correction. Connection as community comes together for a first time; Collection as community gathers data for a common purpose, establishes direction and takes action; and Correction to remediate and absorb lessons learned."